In cinematic terms, it’s less Rocky, more Raging Bull.Īnd all this sits on top of a very solid set of game mechanics. It’s testosterone fuelled, heavily macho gaming, but it’s hard to resist if you’re male. If it’s you on the floor, you even get a highly aggravating view of your opponent walking away backwards, his every gesture a taunt. You just have to love the brutal close-up details that show a killer punch in detail the blow connecting with the nose or chin, the flesh and muscle distorting, sweat and spit arcing off out of the mouth. We’ve seen many of these cues before, but never so well orchestrated or combined in such a sophisticated manner. You can see your own fighter’s confidence boosting as he steps cockily around the ring, or see him tiring as he lets out wave after wave of quickfire jabs to little effect. You don’t need a gauge to tell you that your opponent is on the ropes – it’s there in his movement, his gait, the sound of his breathing and the sweat pouring down. You see, if the game defaults to a display with no onscreen health or stamina metres, it’s because you really don’t need them. When you’re about to go down, the sound drains out to reflect your steady loss of consciousness, and there’s a similar effect when your opponent is on the verge of losing it you can feel time slowing down, waiting for you to land the killer punch. Look at the way the camera neatly shifts focus and position when you’re taking heavy blows, as if to show just how unsteady you are on your feet. In the movement and positioning of the camera, and in the rendering and animation of the fighters – even in the sound – there are hundreds of cues designed to give the player a feeling of momentum, impact and pain.
If you want an indication of where the next generation might be going, this is it. Photo-realistic? Sure, you can pick holes, but – unless you’re really looking to pick holes – you bet.Īnd here’s the thing: it’s not just eye candy.
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The ropey, two-dimensional background graphics of the PS2 version were a thing of the past, replaced by lifelike gyms and auditoriums.
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The skin glowed with sweat, trickles of perspiration worked their way down the fighter’s body during the fight, the camera seemed to move more dynamically, reacting to the action in the ring with astonishing focus. Whereas you could appreciate that the character models in the PS2 version were accurate and realistic, in the Xbox 360 version they simply looked real. Not fantastic, not astounding, but very good.Ī few days later I sat down to play Fight Night Round 3 on the Xbox 360, and nearly suffered a dislocated jaw so fast did it drop open in amazement. I’m not a boxing fan, which always limits my interest in these things, but I could appreciate that, if you were into boxing it was a good game. It was a good boxing game, with tight controls, a decent career mode, some nice additional features and respectable graphics. Nearly two weeks ago I sat down to play Fight Night Round 3 on the good old Playstation 2. When you check the closet, get ready to shut the door immediately.Let’s call it the next-generation difference. Note that Nightmare Fredbear works alone on Night Five and Foxy is in town.
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If you go too near to anything, flashing lights in its eyes will be your undoing. It will scare away anything lurking at the far end of the corridors, but be cautious and listen. You can only protect yourself with a flashlight. Your duty will become extremely hard and challenging. In this version, you have to guard against more animatronic characters than the previous version, including Freddy Fazbear, Chica, Bonnie, Foxy, and even various scarier creatures lurking in the shadows. by keeping an eye on the doors and warding off any unwelcome animals that may venture into your closet or onto the bed behind you. Five Nights At Freddy's 4 is the last part of the original Five Nights at Freddy's tale, where you must defend yourself from animatronic characters.Īs a youngster with an unknown duty, you must protect yourself until 6 a.m.
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